Dr. Sue Song-Video “Wear a Mask Show You Care” with Teddly!
Dr. Sue & ShakesBear (Shakespeare) Funny Video “MacBear”
Dr. Sue visits Battery Park NYC (Virtual Tour) with Teddly!
Susan "Dr. Sue" Horowitz is available as an Entertaining, Motivational Speaker, Educator, Singer-Songwriter, and Teaching Artist. Please Use Contact Form on Website
Susan (“Dr. Sue”) Horowitz, Ph.D. Motivational Speaker-Author-Educator
Dr. Sue’s Funny Review “Mrs. Hamilton the Musical”
“Hamilton the Musical” is a lot of laughs…after the show! I streamed the mega-hit, mega-bucks Broadway show on my computer. Due to the pandemic, Broadway is closed for live entertainment, but “Hamilton” now streams online – if you subscribe to Disney +.
I am in voluntary self-quarantine, so I spend most of my time at home with my computer – or going for morning, solo walks in my New York City park – where I became friendly with the Brookfield Place Security Guard. I always wear a mask indoors, but when I’m outdoors for my early morning, uncrowded walks, I’m less cautious. The Guard is more available before the daytime crowd arrives. We stay six apart and enjoy lively conversations, updating each other on our lives – with encouragement and humor.
The morning after I watched “Hamilton” I encountered my new friend, the Guard. He had not seen the show on Broadway or online, so I summarized the story – with my own comic twist – and here it is!
Hamilton (a US Founding Father), a.k.a. “Mr. Ham” is the lead role. Mr. Ham, immigrates to the pre-USA, fights for independence, invents banking, flirts with his bride’s sister, insults people, and fathers a son – who gets into to a duel to defend his dad’s honor. Mr. Ham tells his son to shoot into the air – which gets him killed.
Mrs. Hamilton is really steamed – especially when Mr. Ham defends his financial honor to his enemies by pointing out that his suspicious check stubs were payments to the hubby of a local hottie for letting Ham and hottie do the nasty in the wife’s bed.
Mr. Ham gets into his own duel, shoots into the air, and gets himself killed.
The musical makes multi-millions – on stage and now…on screen.
The Security Guard and I plan to write a sequel called… “Mrs. Hamilton: I Married a Moron! “
In our version, Mrs. Ham gets the pistol and shoots Mr. Ham in his pee-pee.
She becomes a Founding Mother, and we become billionaires!
Our new, improved version has comedy and a happy ending! We expect it to be a success – on stage, screen and as a sitcom/reality show called… “I Married a Moron!” The married couple will be play by a celebrity wife and a famous US politico husband. Guess who!
We hope to spin-off the sitcom into dance-exercise videos – so you can social distance – and stay in shape! Here is a free sample!
TRU (Theater Resources Unlimited – www.truonline.org hosts panels and workshops for theater professionals at all stages of their careers. Audiences and Speakers include Producers, Investors, Artists, and Self-Producing Artists (SPA’s – because it’s so relaxing to produce your own show 🙂 ) Panelists include Commercial Broadway Producers: Eric S. Goldman (Entertainment Attorney), Patrick Blake, Van Dean, Jeremy Handelman, Cheryl Wiesenfeld, and James L. Simon. Here are my notes from the panel – with questions:
Why People Invest – How to Pitch and Choose Projects
1. People invest and produce for different reasons, including: profit– everyone hopes to make money, but people may invest for other reasons – relationship to creative team and/or producer, experience – the thrill of being part of a glamour industry, with opening nights, parties, and the chance to mingle with stars, passion for the project – the artistry, message, etc.!
2. Is this show well-crafted? (I had the opportunity to successfully present my musical SSS…WITCH! ssswitch.net as part of the TRU series “How To Write a Musical” – the experience was quite helpful!)
3. Does this show have a selling point? Is it based on a popular property? If so, does the producer and/or writer own the rights? Does it have a celebrity star? Will that star sell tickets?
4. Who is on the production team? Is there a capable general manager? Does it have a realistic budget? (cast size? sets? etc.)
S.A.F.E. – An Acronym for Smart Choices
1. S – What will Sell this Show? A name-brand property? the concept? the celebrity star? the writing team?
2. A – Audience Who is your Target Audience (not “everyone” be specific – and spill over). Do these people go to the theatre?
3. F – Funds How are your investors going to recoup their money – and how long will it take? How many tickets do you have to sell – and how much will it cost to keep that show afloat? (You can make money beyond Broadway in stock and amateur rights. Musicals are more likely to tour than straight plays – and don’t forget licensing – shared by authors and sometimes producers!)
4. E – Environment What is happening in the world and current theater environment? Aim for relevance and avoid repetition.
Producers and Projects need to Match!
Producers choose shows for a several reasons – passion for the subject, love of the artistry, money-making potential, entertainment and fun, etc. Nobody does everything well – or wants to – talent and funding need to match!
The Journey
Most shows don’t open on Broadway. They start in regional theatres, off (and off-off Broadway), festivals (for example, fringe and New York Musical Festival) London’s West End, International Venues, and today’s trend – the movie-cal a slick move from Screen to Stage!
Dr. Sue Sings “You Can Be a Hero”
Hope you enjoy hearing me sing my original song “You Can Be a Hero” from my musical show “Cupid’s Dart” (performed at Theater for the New City)“You Can Be a Hero” copyright 2015 Susan HorowitzCreative Living by Dr. Sue: Do What You Love!
These tips are intended to help you make smart choices. But even if you never make a dime, if you do what you love, you’ll have the time of your life!
Support the Arts!: Without the arts, many children have no chance for a better, more fulfilling life! Without the arts, there is no real beauty, joy, or civilization!
Turn a wedding cake upside down, twirl it like a dreidel, and what have you got? A modern, musical spin on a free-wheeling wedding farce!
This vastly entertaining show has plot twists galore, plenty of doors, discoveries, lover-ies and a superb cast (headed by Tyne Daly), director (David Hyde Pierce), and creative team Barbara Anselmi (Music/Concept), Brian Hargrove (Book/Lyrics).
Show Folk: Harriet Harris, Lisa Howard, Sierra Boggess, David Burtka, Montego Glover, Chip Zien, Josh Grisetti, Edward Hibbert, Adam Heller, Michael X. Martin, Anne L. Nathan, Nick Spangler.
Hope you enjoy hearing me sing my original song:“You Can Be a Hero” copyright 2015 Susan HorowitzCreative Living by Dr. Sue: Ride’em Cowboy (and Girl) & Support the Arts!Ride’em Cowboy (and Girl)!: Comedy and couple-dom are full of unexpected twists. We get a choice – resist and stick with the “shoulda” or go with the ride. Which do you think leads to more happiness?
Support the Arts!: Without the arts, many children have no chance for a better, more fulfilling life! Without the arts, there is no real beauty, joy, or civilization!
Broadway Close Up, a series that mixes show tunes and show talk, hit a high note as host Sean Hartley interviewed Henry Krieger, multiple Tony-Award winning composer of Dreamgirls, The Tap Dance Kid , and Side Show. Krieger’s talent was amply illustrated by a brilliant, soulful cast, superbly supported by talented musical director Andy Einhorn.
The chat included bite-sized, bio-tidbits: Krieger first collaborated with Dreamgirls lyricist Tom Eyen on The Dirtiest Show in Town off-Broadway, where singer Nell Carter (Ain’t Misbehavin’) stopped the show, Eyen and mercurial director Michael Bennett (fresh from Chorus Line) regularly gave each other nervous breakdowns; and yes, Dreamgirls did have something to do with the Supremes.
The conversation/concert format neatly segued into medley of Krieger tunes sung by Broadway larks and lyricists.
The musical cast showcased the abundantly talented Moya Angela, Jill Abramovitz, Lilli Cooper, Erin Davie, Trevon Davis, Brandon Victor Dixon, Curt Hansen, Jeremiah Jones, Jared Joseph, Emily Jenda, Lindsay Mendez, Jarran Muse, Mary Testa, and David Yazbek .
The evening finished with Krieger singing his own stirring version of Jennifer Holliday’s show-stopping “And I’m Telling You, I’m Not Going” from Dreamgirls, proving that soulful singing is not just high-voltage vocal chops.
Coming up next on Broadway Close Up: Producers Andre Bishop & Ira Weitzman – Playwrights Horizons/Lincoln Center (Monday, November 5); Lyricists Who Changed the World – Ira Gershwin, Oscar Hammerstein, E.Y. “Yip” Harburg & Lorenz Hart (Monday, December 3).
All programs feature great singers and songsters, who will also be warbling at New York Festival of Song December 4, February 19, and March 12. All events are held at the Kaufman Center, Merkin Concert Hall, 129 W. 67th Street, NYC.
For Details and Tickets, visit http://kaufman-center.org/mch
(Editor: Jay Berman)